The massive principles of 2047
In this ultimate second of the Epic Human trip, we take you on a fictional psychic trip into one of many many roads that lie forward for humanity. this can be the main intimate, sincere and private tale now we have ever instructed, added within the kind of a scrapbook reminiscing on a life-time — from 2007–2047. Adbusters #111 is a time-capsule from the long run, a imaginative and prescient, a caution, a repository of knowledge, a realistic post-crash survival consultant … to help you to navigate either the darkish occasions and the possibilities which lie ahead.
Featured during this issue:
Margaret Atwood: “We have had many moment possibilities. now's the time.”
the way forward for uprising by means of Chris Hedges
existence after actual Sex
Dmitri Orlov on Social Collapse
traveling MoMA in 2037
Clive Hamilton reevaluates the Sexual Revolution
Post-crash jobs for unemployed environmentalists via Erik Assadourian
Confessions, secrets and techniques and insights approximately Adbusters and the way forward for Occupy
Read Online or Download Adbusters, Issue 111 (January/Febuary 2014) PDF
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Additional info for Adbusters, Issue 111 (January/Febuary 2014)
Facial appearances and expressions are never the same, making the figures all the more 49 China’s Cultural Relics 50 life-like. Making of the mud roughcasts, large as they are, must be time consuming and call for strenuous human labor. The roughcasts were cured in fire in kilns, one or a few at a time, and the kilns should be near the tomb site. 5 meters tall. They were produced the same way as the human figures. The horses, whether they are battle steeds or horses pulling the war chariots, all stand still.
One bronze he (three-legged vessel used to warm cold wine with hot water in it) features a human face with a pair of dragon horns. The most artistically outstanding is a wine pot with a small mouth and a big belly, which is known to archeologists as you. It features a human figure embracing a tiger, his bare feet on the hind paws of the tiger, and his head Bronze Ware in the tiger ’s mouth. The man’s face bea r s n o 37 expression of pain or horror, suggesting that the man and the tiger are friends.
Life-like terraco�a ﬁgures The site is a part of the Guanzhong Plain, the heartland of the northwest China Loess Highlands, where the earth, with pure, fine grains, is good for sculpturing. Painted pottery of the Yangshao culture, a most outstanding representative of China’s matriarchal civilization during its peak that dates to 5000 BC, originated from the area. Supply of earth was ensured and, moreover, producers of the terracotta figures were able to count on techniques for production of grey pottery that had become highly developed during the late Warring States period.
Adbusters, Issue 111 (January/Febuary 2014)