By David Toop
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Extra info for Ocean of Sound - Aether Talk, Ambient Sound and Imaginary Worlds [history of ambient music
He laughs. ys1:ic. Another word to deal with. Opti of course, you got op, that could be eye. Optimistic, that's very nice. That way, we got something else. " "Right, that is very beautiful. " He reads sections from the Turkish/cosmic council manuscript, passages abOut the coding of consciousness, the failings of our leadets, the dImculties of Planet Earth. "Things are moving fast," he mut'" murs,'" 50UDding uncharacteristically bewildered, perhaps , conscious that death is not so far away. " 82 david toop Sun Ra's dream "I had a vision that 1 saw some materials that defy description.
He played a record of a Buddhist service that began with a mi~tonal chan~ and then continued with the repetitious beat of a. percusSion instrument. After fifteen minutes, one woman In tile claSs stood up, screamed, and then shouted, "Take it off. " Cage took the record off. embCr - a man - got irate. "Wby'd you take It om" he demanded. " John Cage, "Silence" Bob Dylan may have regarded Smokey Robinson as a great poet, but the effect of oYlan on Motown was more obvious. Whatever it was that Bob Dylan, The Beaties and The RolUng Stones had done by copying, thentransfoniling black music, a lot of black artists wanted the freedom to follow.
Little. a bar of hi-hat cymbal. than "Acid Tracks", perhaps a reflection of Larry Heard's career as·a . &Band jazz fw;ion to rock. "We did alot of abstract ,rock'" he told me when I interviewed him in 1989. "Yes, Rush and Genesis. I was a drummer so I was really crazy about Neil Peart. " iBothJefferson's enthusiasm for Black Sabbath and Heard's idolisation of progressive. rock drummer Peart were bemusing at the time. According to stereotypical divisions of taste by skin colour and culture, black musicians were supposed to be listening to·soul.
Ocean of Sound - Aether Talk, Ambient Sound and Imaginary Worlds [history of ambient music by David Toop